Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any I’ve seen since Fringe– maybe even LOST– because it realizes that sometimes life is profound because it’s nonsensical.
Time for my 100% correct ranking✝ of this year’s Oscar Best Picture Nominees:
✝Give or take an I’m Still Here
Currently reading: The Signal and the Noise by Nate Silver 📚
Time for my 100% correct ranking✝ of this year’s Oscar Best Picture Nominees:
✝Give or take an ‘I’m Still Here’
Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but can’t complain too much with these performances, cinematography, and score. It’s not the main focus of the movie by any stretch, but it’s a nice warning about process getting in the way of humanity.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylan’s talent, but doesn’t shy away from the possibility that he doesn’t stand for anything but contrarianism
The Brutalist: I’m a sucker for these types of movies that attempt to comment on an America as reflected in an individual’s experience. I’m a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. It’s a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
Emilia Pérez: This felt like a high school production of Emilia Pérez. I don’t mean that entirely derogatory
Dog Man: Nailed the spirit, but didn’t quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and I’m impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess that’s what’s important…)
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Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but can’t complain too much with these performances, cinematography, and score. It’s not the main focus of the movie by any stretch, but it’s a nice warning about process getting in the way of humanity.
I could have used about a half click more pulp, but can't complain too much with these performances, cinematography, and score. It's not the main focus of the movie by any stretch, but it's a nice warning about process getting in the way of humanity.
First time in a while I won’t get to all the Best Picture-nominated movies: I’m Still Here isn’t on streaming or VOD. There’s no bigger proponent of movie theaters than me, but just couldn’t find the time for it this month.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylan’s talent, but doesn’t shy away from the possibility that he doesn’t stand for anything but contrarianism
Interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know *less*. It does a good job of illustrating Dylan's talent, but doesn't shy away from the possibility that he doesn't really stand for anything but contrarianism.
The Brutalist: I’m a sucker for these types of movies that attempt to comment on an America as reflected in an individual’s experience. I’m a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I'm a sucker for these types of movies that attempt to comment on an America as reflected in an individual's experience. I'm a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I’ve been very delinquent in watching this year’s Best Picture nominees, so here’s my way-too-aggressive schedule to finish watching them this week:
Sunday: The Brutalist (Part 1)
Monday: The Brutalist (Part 2)
Tuesday: I’m Still Here
Wednesday: A Complete Unknown
Thursday: Conclave
Friday: Nickel Boys
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. It’s a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
The idea is fine, but this movie needed someone who could realize it better than it was. It's a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
This felt like a high school production of Emilia Pérez. I don't mean that entirely derogatory
Nailed the spirit, but didn’t quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and I’m impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess that’s what’s important…)
Currently reading: The Signal and the Noise by Nate Silver 📚
January: Ski Trip to Québec Charlevoix
Silo, Season 2: there’s so much to like here, but it lost a step from Season 1: the middle of the season really drug for me. But ended with a bang and excited to see where it goes from here.
My Neighbor Totoro: The biggest takeaway I have from this movie is to trust your kids.
(i.e., I’d been hesitant to show them the Studio Ghibli movies because they’re on such a different wavelength and I couldn’t bear them not liking it. But they loved it and we played Totoro for five days straight)
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Live shot of me logging on to social media today: media.giphy.com/media/v1….
Mariann Budd is the bishop for my church. I don’t know her, but I’ve met her a few times and seen her preach before. Happy to report that this could have been a sermon she preached any Sunday and her bravery doesn’t surprise me in the least.
Very proud to be a member of the Episcopal Diocese of Washington today
(gift link! Watch the video!)
Silo, Season 2: there’s so much to like here, but it lost a step from Season 1: the middle of the season really drug for me. But ended with a bang and excited to see where it goes from here.
The biggest takeaway I have from this movie is to trust your kids.
(i.e., I'd been hesitant to show them the Studio Ghibli movies because they're on such a different wavelength and I couldn't bear them not liking it. But they loved it and we played Totoro for like five days straight.)
There are some people who can create things that make so much sense that they immediately ring true. And then there are people who can create things that make no sense, but somehow can ring even truer.
Going to have a damn fine cup of coffee in your honor tonight, Mr. Lynch.
Currently reading: The Signal and the Noise by Nate Silver 📚
post-Christmas trip to Kentucky
Nosferatu: Saw this as a double feature with Babygirl and I feel like Romy and Count Orlock could do each other a lot of favors.
Babygirl: what a performance from Nicole Kidman– she simultaneously shows how much she’s in control while relaying her want to be controlled.
There’s such a tightrope to be walked with telling a story about desire–especially one with these kinds of dynamics– and Reijn walks it perfectly.
What We Do in the Shadows, Season 6: so sad to see this show go. I didn’t find it as laugh-out-loud funny in the latter seasons, but it was still as good as ever. Gonna miss these guys– even you, Gizmo
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