…but the food was not food. It was sin. The sins of the rich…but he ate them all, for he was starving. From then on, the man does not sleep or grow old. He cannot die. He has no dreams. All that is left is sin
It feels like that, I know. What they do to us. Make us swallow, like it’s our fault. But, you want to know the cure? You gotta eat something made with love and joy and be forgiven
The world of Fargo has long been helmed by an old-testament god– rigid, dogmatic. This season went down that same path…until it didn’t. What does Fargo look like with redemption?
The Curse, Season 1: love lifts us up where we belong
Until that ending, I didn’t find The Curse to be that confounding: it was a pretty clear critique of what individuals do to remedy their guilt– specifically, but not exclusively, white guilt. I liked it a lot more than I think most people did, but I have a high tolerance for this sort of show
American Fiction: there are no satisfying answers
Poor Things: the feel good movie of the year from our most notable optimistic filmmaker *checks notes* yorgos lanthimos
For All Mankind, Season 4: Whatever complaints I have about this show are always vastly outweighed by how good of a job it does in grounding a literal decades-spanning epic in its characters.
The Changeling, Season 1: So many ideas– motherhood, fatherhood, working parenthood, the American story, the patriarchy– but not enough time to dig into many of them. There’s still a lot to like here: the cinematography, the mood, but especially the performances
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