Yellowjackets, Season 3: What a messy season of television. The show is a shadow of its former self— except for when it’s not (like in the finale). One more season should be good enough to wrap this up.
The White Lotus, Season 3: “Death” this season as opposed to “Sex” last season. It lost a step from season 2, but there’s no way you’re going to put Parker Posey, Carrie Coon, and Walton Goggins in the same show and I won’t love it.
It’s all fun† and games‡ until the Switch 2 preorders get delayed
†It’s not fun
‡Nor a game
Mr. Henry’s. 📍
Testing micro.social’s location feature
Currently reading: The Signal and the Noise by Nate Silver 📚
Time for my 100% correct ranking✝ of this year’s Oscar Best Picture Nominees:
- Anora
- The Brutalist
- Dune Part Two
- Nickel Boys
- Conclave
- A Complete Unknown
- Wicked
- Emilia Perez
- The Substance
✝Give or take an I’m Still Here
Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any I’ve seen since Fringe– maybe even LOST– because it realizes that sometimes life is profound because it’s nonsensical.
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Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any I’ve seen since Fringe– maybe even LOST– because it realizes that sometimes life is profound because it’s nonsensical.
Time for my 100% correct ranking✝ of this year’s Oscar Best Picture Nominees:
✝Give or take an I’m Still Here
Currently reading: The Signal and the Noise by Nate Silver 📚
Time for my 100% correct ranking✝ of this year’s Oscar Best Picture Nominees:
✝Give or take an ‘I’m Still Here’
Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but can’t complain too much with these performances, cinematography, and score. It’s not the main focus of the movie by any stretch, but it’s a nice warning about process getting in the way of humanity.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylan’s talent, but doesn’t shy away from the possibility that he doesn’t stand for anything but contrarianism
The Brutalist: I’m a sucker for these types of movies that attempt to comment on an America as reflected in an individual’s experience. I’m a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. It’s a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
Emilia Pérez: This felt like a high school production of Emilia Pérez. I don’t mean that entirely derogatory
Dog Man: Nailed the spirit, but didn’t quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and I’m impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess that’s what’s important…)
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Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but can’t complain too much with these performances, cinematography, and score. It’s not the main focus of the movie by any stretch, but it’s a nice warning about process getting in the way of humanity.
I could have used about a half click more pulp, but can't complain too much with these performances, cinematography, and score. It's not the main focus of the movie by any stretch, but it's a nice warning about process getting in the way of humanity.
First time in a while I won’t get to all the Best Picture-nominated movies: I’m Still Here isn’t on streaming or VOD. There’s no bigger proponent of movie theaters than me, but just couldn’t find the time for it this month.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylan’s talent, but doesn’t shy away from the possibility that he doesn’t stand for anything but contrarianism
Interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know *less*. It does a good job of illustrating Dylan's talent, but doesn't shy away from the possibility that he doesn't really stand for anything but contrarianism.
The Brutalist: I’m a sucker for these types of movies that attempt to comment on an America as reflected in an individual’s experience. I’m a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I'm a sucker for these types of movies that attempt to comment on an America as reflected in an individual's experience. I'm a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I’ve been very delinquent in watching this year’s Best Picture nominees, so here’s my way-too-aggressive schedule to finish watching them this week:
Sunday: The Brutalist (Part 1)
Monday: The Brutalist (Part 2)
Tuesday: I’m Still Here
Wednesday: A Complete Unknown
Thursday: Conclave
Friday: Nickel Boys
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. It’s a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
The idea is fine, but this movie needed someone who could realize it better than it was. It's a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
This felt like a high school production of Emilia Pérez. I don't mean that entirely derogatory
Nailed the spirit, but didn’t quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and I’m impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess that’s what’s important…)
Currently reading: The Signal and the Noise by Nate Silver 📚
January: Ski Trip to Québec Charlevoix
Silo, Season 2: there’s so much to like here, but it lost a step from Season 1: the middle of the season really drug for me. But ended with a bang and excited to see where it goes from here.
My Neighbor Totoro: The biggest takeaway I have from this movie is to trust your kids.
(i.e., I’d been hesitant to show them the Studio Ghibli movies because they’re on such a different wavelength and I couldn’t bear them not liking it. But they loved it and we played Totoro for five days straight)
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Live shot of me logging on to social media today: media.giphy.com/media/v1….