Star Trek: Strange New Worlds, Season 3: Uneven season. The last two episodes were essentially (and I think purposefully) lesser versions of two of the greatest TNG episodes. I have a lot of feelings (mostly negative) about them, but damn if they didn’t work emotionally
DiCaprio is going to win an Oscar for OBAA, but del Toro’s performance (and his character) is the real lynchpin of the movie.
Currently Reading: Sea of Tranquility by Emily St. John Mandel 📚
Alien: Earth, Season 1: I’m not sure how he does it, but Hawley has this knack for taking nuanced, forward-facing movies and refracting their messages with a more modern lens. Fargo and Alien were essential viewing in their time. Hawley rightly contends that they’re even more essential now.
It’s Always Sunny in Philadelphia, Season 17: It’s amazing how well this show holds up considering it’s been consistently running for 20 years without fundamentally changing its formula. If you’ve got the stomach for it, this is the best season in years.
King of the Hill, Season 14: 20 years ago this show argued that the source of our ills isn’t the conservative/liberal split but rather our lack of effort to understand and be decent to each other. Both the message and the messenger have become more vital. Are we listening now?
Foundation, Season 3: Say what you will about modern Apple, but there’s no other corporation that would throw the mind-boggling amount of money it takes to bring a hard Sci-Fi show to TV. It could very easily collapse in on itself, but for now it’s keeping all it’s centuries-spanning plates spinning
The Bear, Season 4: back to the basics. A much more enjoyable season than the last, but pretty uneven. I have some quibbles with how some emotional arcs were resolved, but there aren’t many shows that can match its highs
KPop Demon Hunters: messy, but mostly in good ways. Love the nods to ghibli
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Alien: Earth, Season 1: I’m not sure how he does it, but Hawley has this knack for taking nuanced, forward-facing movies and refracting their messages with a more modern lens. Fargo and Alien were essential viewing in their time. Hawley rightly contends that they’re even more essential now.
It’s Always Sunny in Philadelphia, Season 17: It’s amazing how well this show holds up considering it’s been consistently running for 20 years without fundamentally changing its formula. If you’ve got the stomach for it, this is the best season in years.
King of the Hill, Season 14: 20 years ago this show argued that the source of our ills isn’t the conservative/liberal split but rather our lack of effort to understand and be decent to each other. Both the message and the messenger have become more vital. Are we listening now?
Foundation, Season 3: Say what you will about modern Apple, but there’s no other corporation that would throw the mind-boggling amount of money it takes to bring a hard Sci-Fi show to TV. It could very easily collapse in on itself, but for now it’s keeping all it’s centuries-spanning plates spinning
My kids have never gotten so many approving looks from old people than when they’re playing checkers at a Cracker Barrel
The Bear, Season 4: back to the basics. A much more enjoyable season than the last, but pretty uneven. I have some quibbles with how some emotional arcs were resolved, but there aren’t many shows that can match its highs
Currently Reading: Sea of Tranquility by Emily St. John Mandel 📚
Finished reading: Apple in China by Patrick McGee 📚Maybe the most astonishing yet unsurprising book you’ll ever read about Apple. Contextualizes not only Apple, but the geopolitical situation of the past 20 years as well as the next 20 in a way that grows a pit in your stomach with every page turn. Highly ... jordon.me
The Studio, Season 1: comes at you with the same energy as Curb Your Enthusiasm, packaged as an insider Hollywood farce. Totally get where that isn’t appealing to everyone– but man– it’s appealing to me!
Weapons: The most hopeful movie of the year
Gotta say a little more about Weapons. It’s the most visceral reaction I’ve had from a movie for as long as I can remember. Julie literally said that I couldn’t say the things I was saying as we were walking out. All the answers you’re looking for in our current situation are here.
Poker Face, Season 2: It’s so expertly-crafted and the central conceit is so fun that you can forgive when they go back to the well one too many times. TV is so much more fun when there’s a good whodunnit (and a good Star Trek!) on
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Currently Reading: Sea of Tranquility by Emily St. John Mandel 📚
Finished reading: Apple in China by Patrick McGee 📚Maybe the most astonishing yet unsurprising book you’ll ever read about Apple. Contextualizes not only Apple, but the geopolitical situation of the past 20 years as well as the next 20 in a way that grows a pit in your stomach with every page turn. This is required reading
The Studio, Season 1: comes at you with the same energy as Curb Your Enthusiasm, packaged as an insider Hollywood farce. Totally get where that isn’t appealing to everyone– but man– it’s appealing to me!
Gotta say a little more about Weapons. It’s the most visceral reaction I’ve had from a movie for as long as I can remember. Julie literally said that I couldn’t say the things I was saying as we were walking out. All the answers you’re looking for in our current situation are here.
Poker Face, Season 2: It’s so expertly-crafted and the central conceit is so fun that you can forgive when they go back to the well one too many times. TV is so much more fun when there’s a good whodunnit (and a good Star Trek!) on
Currently reading: The Signal and the Noise by Nate Silver 📚
Eddington: What happens when answers matter more than truth?
Superman: Worth pushing past your superhero fatigue to see this one. Entertaining from start to finish with plenty to chew on thematically. Another one that I can’t believe wasn’t written in the past three months. It’s just plain nice to have a good Superman movie out there.
Mountainhead: Not as crackerjack as Succession, but playing on the same field. Armstrong–per usual– gets that in order to show how warping being a billionaire can be, you have to show why anyone would want it in the first place
Elio: this was not the most cohesive movie. But I appreciate its themes and there were a ton of Alien references, so…
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Worth pushing past your superhero fatigue to see this one. Entertaining from start to finish with plenty to chew on thematically. It's also just plain nice to have a good Superman movie out there. Another one that I can't believe wasn't written in the past three months

Worth pushing past your superhero fatigue to see this one. Entertaining from start to finish with plenty to chew on thematically. It's also just plain nice to have a good Superman movie out there. Another one that I can't believe wasn't written in the past three months

Not as crackerjack as Succession, but playing on the same field. Armstrong--per usual-- gets that in order to show how warping being a billionaire can be, you have to show why anyone would want it in the first place