Currently reading: The Signal and the Noise by Nate Silver đ
Yellowjackets, Season 3: What a messy season of television. The show is a shadow of its former selfâ except for when itâs not (like in the finale). One more season should be good enough to wrap this up.
The White Lotus, Season 3: âDeathâ this season as opposed to âSexâ last season. It lost a step from season 2, but thereâs no way youâre going to put Parker Posey, Carrie Coon, and Walton Goggins in the same show and I wonât love it.
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Yellowjackets, Season 3: What a messy season of television. The show is a shadow of its former self— except for when it’s not (like in the finale). One more season should be good enough to wrap this up.
The White Lotus, Season 3: “Death” this season as opposed to “Sex” last season. It lost a step from season 2, but there’s no way you’re going to put Parker Posey, Carrie Coon, and Walton Goggins in the same show and I won’t love it.
It’s all funâ and games⥠until the Switch 2 preorders get delayed
â It’s not fun
âĄNor a game
Mr. Henry’s. đ
Testing micro.socialâs location feature
Currently reading: The Signal and the Noise by Nate Silver đ
Time for my 100% correct rankingâ of this yearâs Oscar Best Picture Nominees:
- Anora
- The Brutalist
- Dune Part Two
- Nickel Boys
- Conclave
- A Complete Unknown
- Wicked
- Emilia Perez
- The Substance
âGive or take an Iâm Still Here
Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any Iâve seen since Fringeâ maybe even LOSTâ because it realizes that sometimes life is profound because itâs nonsensical.
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Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any I’ve seen since Fringe– maybe even LOST– because it realizes that sometimes life is profound because it’s nonsensical.
Time for my 100% correct rankingâ of this year’s Oscar Best Picture Nominees:
âGive or take an I’m Still Here
Currently reading: The Signal and the Noise by Nate Silver đ
Time for my 100% correct rankingâ of this yearâs Oscar Best Picture Nominees:
âGive or take an âIâm Still Hereâ
Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but canât complain too much with these performances, cinematography, and score. Itâs not the main focus of the movie by any stretch, but itâs a nice warning about process getting in the way of humanity.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylanâs talent, but doesnât shy away from the possibility that he doesnât stand for anything but contrarianism
The Brutalist: Iâm a sucker for these types of movies that attempt to comment on an America as reflected in an individualâs experience. Iâm a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. Itâs a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
Emilia PĂ©rez: This felt like a high school production of Emilia PĂ©rez. I donât mean that entirely derogatory
Dog Man: Nailed the spirit, but didnât quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and Iâm impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess thatâs whatâs importantâŠ)
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Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but can’t complain too much with these performances, cinematography, and score. It’s not the main focus of the movie by any stretch, but it’s a nice warning about process getting in the way of humanity.
I could have used about a half click more pulp, but can't complain too much with these performances, cinematography, and score. It's not the main focus of the movie by any stretch, but it's a nice warning about process getting in the way of humanity.
First time in a while I won’t get to all the Best Picture-nominated movies: I’m Still Here isn’t on streaming or VOD. There’s no bigger proponent of movie theaters than me, but just couldn’t find the time for it this month.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylan’s talent, but doesn’t shy away from the possibility that he doesn’t stand for anything but contrarianism
Interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know *less*. It does a good job of illustrating Dylan's talent, but doesn't shy away from the possibility that he doesn't really stand for anything but contrarianism.
The Brutalist: I’m a sucker for these types of movies that attempt to comment on an America as reflected in an individual’s experience. I’m a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I'm a sucker for these types of movies that attempt to comment on an America as reflected in an individual's experience. I'm a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I’ve been very delinquent in watching this year’s Best Picture nominees, so here’s my way-too-aggressive schedule to finish watching them this week:
Sunday: The Brutalist (Part 1)
Monday: The Brutalist (Part 2)
Tuesday: I’m Still Here
Wednesday: A Complete Unknown
Thursday: Conclave
Friday: Nickel Boys
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. It’s a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
The idea is fine, but this movie needed someone who could realize it better than it was. It's a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
This felt like a high school production of Emilia Pérez. I don't mean that entirely derogatory
Nailed the spirit, but didnât quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and Iâm impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess thatâs whatâs importantâŠ)