Mr. Henry’s. đ
Testing micro.socialâs location feature
Currently reading: The Signal and the Noise by Nate Silver đ
Time for my 100% correct rankingâ of this yearâs Oscar Best Picture Nominees:
- Anora
- The Brutalist
- Dune Part Two
- Nickel Boys
- Conclave
- A Complete Unknown
- Wicked
- Emilia Perez
- The Substance
âGive or take an Iâm Still Here
Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any Iâve seen since Fringeâ maybe even LOSTâ because it realizes that sometimes life is profound because itâs nonsensical.
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Severance, Season 2: this show continues to walk the tightrope between nonsense and profundity better than any I’ve seen since Fringe– maybe even LOST– because it realizes that sometimes life is profound because it’s nonsensical.
Time for my 100% correct rankingâ of this year’s Oscar Best Picture Nominees:
âGive or take an I’m Still Here
Currently reading: The Signal and the Noise by Nate Silver đ
Time for my 100% correct rankingâ of this yearâs Oscar Best Picture Nominees:
âGive or take an âIâm Still Hereâ
Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but canât complain too much with these performances, cinematography, and score. Itâs not the main focus of the movie by any stretch, but itâs a nice warning about process getting in the way of humanity.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylanâs talent, but doesnât shy away from the possibility that he doesnât stand for anything but contrarianism
The Brutalist: Iâm a sucker for these types of movies that attempt to comment on an America as reflected in an individualâs experience. Iâm a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. Itâs a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
Emilia PĂ©rez: This felt like a high school production of Emilia PĂ©rez. I donât mean that entirely derogatory
Dog Man: Nailed the spirit, but didnât quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and Iâm impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess thatâs whatâs importantâŠ)
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Nickel Boys: mundane horror is still horror
Conclave: I could have used about a half click more pulp, but can’t complain too much with these performances, cinematography, and score. It’s not the main focus of the movie by any stretch, but it’s a nice warning about process getting in the way of humanity.
I could have used about a half click more pulp, but can't complain too much with these performances, cinematography, and score. It's not the main focus of the movie by any stretch, but it's a nice warning about process getting in the way of humanity.
First time in a while I won’t get to all the Best Picture-nominated movies: I’m Still Here isn’t on streaming or VOD. There’s no bigger proponent of movie theaters than me, but just couldn’t find the time for it this month.
A Complete Unknown: interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know less. It does a good job of illustrating Dylan’s talent, but doesn’t shy away from the possibility that he doesn’t stand for anything but contrarianism
Interesting twist on the biopic where instead of learning more about the subject, you walk away almost feeling like you know *less*. It does a good job of illustrating Dylan's talent, but doesn't shy away from the possibility that he doesn't really stand for anything but contrarianism.
The Brutalist: I’m a sucker for these types of movies that attempt to comment on an America as reflected in an individual’s experience. I’m a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I'm a sucker for these types of movies that attempt to comment on an America as reflected in an individual's experience. I'm a bit more hopeful about our chances than The Brutalist, so keep me on Team Anora for the moment.
I’ve been very delinquent in watching this year’s Best Picture nominees, so here’s my way-too-aggressive schedule to finish watching them this week:
Sunday: The Brutalist (Part 1)
Monday: The Brutalist (Part 2)
Tuesday: I’m Still Here
Wednesday: A Complete Unknown
Thursday: Conclave
Friday: Nickel Boys
The Substance: The idea is fine, but this movie needed someone who could realize it better than it was. It’s a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
The idea is fine, but this movie needed someone who could realize it better than it was. It's a textbook case of a solid first act with zero clue of where to go from there. (See also American Fiction from last year)
This felt like a high school production of Emilia PĂ©rez. I don't mean that entirely derogatory
Nailed the spirit, but didnât quite capture the energy of the comics. Still, even attempting to bring this to the screen was a big endeavor and Iâm impressed how much they were able to fit in mostly organically
(Oh yeah, kids loved it. Guess thatâs whatâs importantâŠ)
Currently reading: The Signal and the Noise by Nate Silver đ
January: Ski Trip to Québec Charlevoix
Silo, Season 2: thereâs so much to like here, but it lost a step from Season 1: the middle of the season really drug for me. But ended with a bang and excited to see where it goes from here.
My Neighbor Totoro: The biggest takeaway I have from this movie is to trust your kids.
(i.e., Iâd been hesitant to show them the Studio Ghibli movies because theyâre on such a different wavelength and I couldnât bear them not liking it. But they loved it and we played Totoro for five days straight)
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Live shot of me logging on to social media today: media.giphy.com/media/v1….
Mariann Budd is the bishop for my church. I don’t know her, but I’ve met her a few times and seen her preach before. Happy to report that this could have been a sermon she preached any Sunday and her bravery doesn’t surprise me in the least.
Very proud to be a member of the Episcopal Diocese of Washington today
At National Prayer Service, a plea to Trump: âHave mercyâ
(gift link! Watch the video!)
Silo, Season 2: there’s so much to like here, but it lost a step from Season 1: the middle of the season really drug for me. But ended with a bang and excited to see where it goes from here.
The biggest takeaway I have from this movie is to trust your kids.
(i.e., I'd been hesitant to show them the Studio Ghibli movies because they're on such a different wavelength and I couldn't bear them not liking it. But they loved it and we played Totoro for like five days straight.)